Edition 2
A study in circular form drawn from the natural world . From seed to shell, stone to moon. This collection traces the quiet geometry of organic matter, shaped over time through growth, erosion, and renewal.
Each piece reflects the earth’s language of curves, soft, grounding and continuous. Crafted from surplus and natural materials, the collection explores a slower kind of beauty rooted in simplicity, intention and form.
Each piece is designed and made by hand in my London studio. Working with natural stones, pearls, shell, silver, wood, and surplus textiles, I explore the relationship between material, form, and process. Techniques including drilling, beading, crocheting, metalwork, and hand assembly allow each material to guide the final outcome, celebrating its unique texture, variation, and character. Through an intuitive process of making, objects emerge that balance sculptural form with everyday function.
Edition 2
A study in circular form drawn from the natural world . From seed to shell, stone to moon. This collection traces the quiet geometry of organic matter, shaped over time through growth, erosion, and renewal.
Each piece reflects the earth’s language of curves, soft, grounding and continuous. Crafted from surplus and natural materials, the collection explores a slower kind of beauty rooted in simplicity, intention and form.
Each piece is designed and made by hand in my London studio. Working with natural stones, pearls, shell, silver, wood, and surplus textiles, I explore the relationship between material, form, and process. Techniques including drilling, beading, crocheting, metalwork, and hand assembly allow each material to guide the final outcome, celebrating its unique texture, variation, and character. Through an intuitive process of making, objects emerge that balance sculptural form with everyday function.